b. 1998, UK
Based in Lisboa
Photographer/writer/ceramicist/biologist/surfer
Co-founder of FLUIDO
Fiammetta Duke is an Italian-British photographer and creative. She holds a BA in Biological Sciences from the University of Oxford and an MA in Photography and Visual Design from the Nuova Accademia di Belle Arti in Milan. Fiammetta is now based in Portugal, where she co-founded FLUIDO, a multidisciplinary creative studio that blends innovative design with strategic thinking, bridging the gap between art and nature. FLUIDO is also a fertile ground for collaborations and for experimentation, building community through workshops and exhibitions.
Her photographs have been exhibited in group exhibitions in London, Milan and Lisbon and published in independent magazines in Italy, England, Switzerland, and Spain.
Education
MA Photography and Visual Design, NABA Milano
BA Biological Sciences, University of Oxford
Selected Features/Publications
ARTT Volume 1, Analogue Photography, 2026
Shapes of Nature for Where Flowers Bloom Issue 06, 2024
Sugar Kelp for Horizon Magazine Issue 06, 2023
Interdisciplinary Practices: Photography and Writing for Public Offerings Ltd., 2023
Selected shows
May 2025
oscilações 01, curated by FLUIDO for the launch of Vicentina Foundation, STAMIKA collective, Lisboa
Nov 2024
CLAYWOODS, curated by FLUIDO, Cosmos Campolide, Lisboa
Oct 2024
OPUS ART SOUP, curated by OPUS, Prisma Estúdio, Lisboa
Sept 2024
Where Flowers Bloom, curated by WFB, SpazioELLE, Locarno
Aug 2022Sept 2024
An Art Experience group exhibition, curated by C dot Lab, Koppel X Piccadilly Circus, London
Sept 2021
MA Degree show ARCHIVIO, curated by Francesco Zanot and Luca Andreoni, Castello Sforzesco, Milano
ARTIST STATEMENT
My creative practice stems from a constant and most of the time subconscious search for the unseen parts of myself. Sometimes something is already existing in my mind and just waiting to be captured. The latency of situations and connections fascinates me deeply, how they just have to be noticed to be captured and to then exist in my memory. In my practice I am drawn to nature, to its shapes and its forms. I try to change without changing, as nature does, in all its different forms, species and ecosystems; patterns always repeat. Revolving around nature as my subject allows me to understand how to constantly evolve and experiment in my visual research whilst maintaining my visual identity.